Trilogy Vst For Mac
Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses. Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere.
The Ultimate Electric, Acoustic and Synth Bass Instrument.
Sound on Sound: 'Once again, Spectrasonics have delivered some seriously high-quality, musically playable sounds in an easy-to-use format and at an affordable price. In short, Trilogy is versatile, convenient, and an absolute steal.'
Computer Music Performance Award: 'We like Trilogy a lot. As with Atmosphere and Stylus, the key things here are the sounds themselves and the ease with which they can be ‘Frankensteined’ into something wholly new.'
Trilogy Bass Vst, free trilogy bass vst software downloads, Page 3. AU & VST, Stand alone. Trillian & Trilogy. Spectrasonics Trilian Bass virtual instrument, the long-awaited successor to Spectrasonics award-winning Trilogy bass module. The new instrument has a much larger core library and features highly-detailed new acoustic, electric and synth basses - as well as enhanced versions of the classic Trilogy sounds. Unify Comes in VST (technically known as VST2), VST3 and Standalone for PC and Mac (Mac version also includes an Audio Unit version of Unify). One of the cool things with Unify is that any format of plug-in can load other formats of plug-ins – meaning the Audio Unit version can easily load VST3 and VST plug-ins while you’re using it in. Spectrasonics Trilogy Total Bass (Macintosh and Windows) When you're ready to get serious about Bass, this is the instrument! Trilogy is a programmable, sample-based sound module plug-in, that integrates a massive 3 Gigabyte core library of hundreds of brand new, remarkable Bass sounds, with a powerful user interface for creating your own.
Future Music Platinum Award: 'Trilogy really is a winner. I suppose the only question you should be asking about any of Spectrasonics VST instruments is why it's taken this long for someone to do it in the first place. For the moment though, let's just be rather grateful they have.'
Music Tech Magazne: 'For most people, Trilogy will probably be the only dedicated bass synth they’ll ever need to buy. It incorporates just about every useful bass sound you could think of and enables you to combine, layer and re-shape these into entirely new sounds through its highly accessible interface. One could not reasonably ask for more.'
When you're ready to get serious about Bass, this is the instrument! Trilogy is a programmable, sample-based sound module plug-in, that integrates a massive 3 Gigabyte core library of hundreds of brand new, remarkable Bass sounds, with a powerful user interface for creating your own unique patches.
The real power of Trilogy lies within its layering concept. Beyond the core library hundreds of incredible new Basses, every patch in Trilogy has two layers that you can tweak individually. You can also immediately mix and match any of the layers in the core library together, and edit each one independently. Imagine the power of combining the sound of a real Minimoog™ with a Fretless bass, or a Virus™ with a TB-303™, or even adding a Juno™ sub-oscillator to an Upright Bass! There are thousands of earthshaking combinations, and you'll never run out of options.
Let's look at each of the three sections of Trilogy in detail, since each one has some innovative features:
ACOUSTIC BASS
The highly detailed Acoustic Upright Bass is one of the highlights of this instrument. Because of Trilogy's unique interface, you can get a wide variety of gorgeous tones from this Bass. This is made possible because the interface has separate control of the Neumann™ U-47 Tube Microphone signal and the Direct Pickup signal, which was sampled through a vintage Neve™ 1083 Console. This stunning sounding acoustic is chromatically sampled, with multi-dynamic velocity switching. The hardest velocity in every Bass patch in Trilogy brings in real bass glisses, similar in concept to the idea Spectrasonics pioneered on the Hans Zimmer Guitar libraries. An acoustic Martin™ Dreadnought Bass Guitar is also available in the Acoustic section -perfect for those 'unplugged' sessions!
Trilogy's innovative True Staccato™ technique lets you play repeated notes on the Acoustic and Electric basses in real-time with a whole new level of realistic phrasing, and finally allows for repeated notes that sound completely natural like a bass player, and not like the dreaded 'machine gun' sampler effect!
ELECTRIC BASS
The huge selection of Electric Basses are from all new, painstakingly recorded sessions, and features classic 4, 5 and 6 string models, performed in Fingered, Picked, Muted, Rock & Roll, Slapping, Ballad, Fretless and R&B techniques through rare, custom-made tube preamps. Special variations are presented including Harmonics, Glisses, Fuzz, Trills, FX and thousands of Slides! Both Modern and Vintage 'Old School' Electrics are available, providing a wide array of tones for different musical settings. All the patches are mapped the same way, so that one sequence will work with any bass you select.
There are thousands of samples used in these instruments, mapped with multiple dynamics for amazing expression. You don't have to 'assemble' Bass parts with Trilogy, it's extremely playable as a highly expressive real-time instrument too!
To complete the picture, every Acoustic and Electric Bass in Trilogy has a special 'Finger Noise' release layer with release triggering, that gives these basses amazing realism -perfectly simulating the fretboard response of the real bass. When a note is released, the Finger Noise layer triggers an appropriate noise sample from among hundreds of tiny fret noises, subtle string scrapes, squeeks, x-notes, taps and mutes, which add a user controllable 'human' imperfection element to your performance. You can also easily control how much of this effect you want, since the noise effect is on its own layer that can be controlled from the Trilogy Mixer.
SYNTH BASS
Trilogy is one of the most awesome Bass Synthesizers ever made!
Have you ever struggled with trying to fit your synth bass sounds to sit in a track properly? The sound of Trilogy is not only ultra-fat, but it sits great in a mix. That's because we've created high-resolution core samples from legendary Analog Bass Synths like the Minimoog™, Roland Juno 60™, Roland TB-303™, Roland SH-101™, Oberheim™ SEM, Moog Taurus™, OSCar™, Virus™, Yamaha CS-80™, Arp Odyssey™ and 2600™, Studio Electronics SE-1™, Omega™ and ATC™ Tone Chameleon, Sequential Circuits Pro One™, the mighty Moog Voyager™ and many others! Trilogy's multimode resonant filters allow you total control over the sound, while still retaining the original character and power of the classic analog instruments.
Each fully programmable layer has its own multimode resonant filters, four LFOs, three envelopes, adjustable sample start and matrix modulation. There's also an additional master filter for quick tone shaping.
In addition to gigabytes of high-resolution sampled vintage synth waveforms, and thick multimode resonant filters for each layer, Trilogy has the rare feature of smooth analog synth-style Legato triggering and Glide that software samplers lack. This capability allows for Synth Bass sounds that truely play like a vintage analog synth. This feature can also be used with any of the Electric or Acoustic Basses, for unique hybrid Bass sounds that you've never heard before!
Whether you're looking to anchor your mixes with a giant vault of amazing Bass presets, or you're searching for a versatile instrument to create your own unique Bass sounds…there's no other Bass instrument out there with the tone, variety and flexibility of Trilogy -it's simply in a class by itself.
TRIPLE THE FAT!
* World's only dedicated Acoustic, Electric and Synth Bass instrument
* Earthshaking, Cone-blowing, Subsonic sound
* Massive 3 gig core library
* All NEW Sounds developed by award-winning sound designer Eric Persing.
* Hundreds of brand new Electric, Acoustic and Synth Basses, each with dual layers.
* Mix and Match layers for thousands of dynamic combinations
* Highly-detailed, multi-velocity multisample articulations for ultimate expression.
* Innovative 'True Staccato' sample-mapping, for natural sounding repeated notes.
* Finger Noise release layer for ultimate realism
* Analog synth-style Legato triggering with Glide
* Easy to use built-in patch management system
* Fully programmable
* Multimode resonant filters for each layer, plus master filters
* Three envelopes per layer for Pitch, Filter and Amplitude
* Matrix-style modulation routing, four LFOs
* Total recall with your sequence
* Powered by custom 32 bit UVI engine
* Cross platform plug-in compatibility!
MAS, RTAS and VST Mac/PC included
(Audio Unit and OSX versions available as a free update in 2003!)
Operates as a virtual instrument software plug-in in all major hosts like Logic 5, Digital Performer, Pro Tools Mac Free/LE/TDM/HD, Cubase, Nuendo, Fruity Loops and other VST hosts.
*also works in Sonar with a VST wrapper (not included)
System recommendations:
512 MB RAM, 3.1 GB free hard disc space
MAC: OS 9 or higher, 250 mHz G3 or
better CPU, MAS, RTAS or VST 2.0 host
PC: Windows 98 or higher, 300 mHz Pentium or
better CPU, sound card, VST 2.0 host
CPU load: VERY LOW
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Trilogy Vst
Spectrasonics Trilian 1.4.4c Complete WIN & MAC
Size 20.5 Compressed & 33 Gb Uncompressed
With its comprehensive design, Trilian brings many different types of Bass together into one extraordinary-sounding virtual instrument.
Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses – plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses.
Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.
At Spectrasonics, we’ve always loved Bass sounds.” notes Eric Persing, Founder and Creative Director. “When we started 15 years ago, our very first product was the best-selling Bass Legends sample library. Then in 2002, we introduced Trilogy – the world’s first Bass Virtual Instrument. Now we are very pleased to release Trilian, which represents a whole new generation of our Bass development. Trilian is built on the STEAM Engine that powers Omnisphere, which has allowed us to create the most expressive and flexible Bass module we’ve ever made.”
PERFORMANCE
The acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software’s intuitive, automatic selection of legato and release articulations as the user plays – and the extensive ‘Round-Robin’ variations introduced for natural sounding bass lines with repeated notes – create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.
BASS INSTRUMENTS
Over sixty different 4, 5, 6 and 8 string Electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations – providing a huge variety of sounds for any musical genre. Highlights of the Electric Basses include a Music Man™ 5-string Studio Bass, Chapman Stick®, Lakland™ Rock P-Bass, Clean Fender® Jazz Bass, a Hardcore Rock Bass, a Retro 1960’s Epiphone® Viola Bass and much more.
Trilian’s stunning Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples to create this single instrument! All this combined with Trilian’s high-resolution streaming of the sounds puts a depth of realism into performances that is truly inspiring.
SOUND CREATION
For Synth sounds, Trilian features newly-developed 4-Pole “Juicy” and “Power” Filter algorithms with oscillating resonance that are ideal for electronic bass. Hundreds of synth soundsources were created using over 30 of the most exotic and coveted hardware synthesizers – from the original Moog® Taurus Pedals to the latest boutique analog modular synthesizers. A multitude of extremely powerful editing controls are available for sound design – including the “FlexMod” modulation system, Dual Filters with more than 19 filter types, 6 multistage looping envelopes, 6 full-featured LFOs, dual morphing modulation, modulatable FX racks and much more.
Trilian’s FX racks include all of the renowned FX processors from Omnisphere and Stylus RMX – including a wide variety of amp and speaker models, distortions, dynamics processors, equalizers, chorus, phasers, flangers, delays, reverbs, unique specialty FX and more.
LEGACY
As Spectrasonics’ next-generation bass instrument, Trilian includes enhanced, remastered versions of Trilogy’s core library – taking it to a new level of sound and expression. As a special bonus, Spectrasonics’ original “Bass Legends” multisamples have also been remastered and included in the Trilian library, featuring Abraham Laboriel, John Patitucci & Marcus Miller (bass sounds which some hardware synth users may remember from popular Roland Xpansion boards and the classic MBD-1 rack bass module).
INTEGRATION
Trilian is the first virtual instrument to feature core library integration with Spectrasonics award-winning, flagship Omnisphere synthesizer. Trilian’s complete sound library can be opened within Omnisphere for further synthesis and expanded performance possibilities.
Trilogy Vst For Mac Download
Trilian’s Arpeggiator features the “Groove Lock” technology Spectrasonics pioneered in Omnisphere and Stylus RMX’s Time Designer – which means that with a simple drag and drop action, the feel of bass patterns created with Trilian’s Arpeggiator can be perfectly synchronized between all three of Spectrasonics instruments.
INTERFACE
Trilogy Vst For Mac Os
The new Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls.